Last week I spoke to Kirsty Lang for BBC Radio Four’s arts programme ‘Front Row’ about my ‘Fisherwomen’ exhibition at Hull Maritime Museum which runs from August 24th - October 27th.
Very proud to have brought the group project I’ve been leading, ‘SIXTEEN’, to Liverpool and Southport.
Work on show at Tate Liverpool, Open Eye Gallery, Ropes and Twines and The Atkinson, Southport and earlier at The Williamson in Birkenhead.
Great to see some of the young people come down to see themselves on the gallery walls and to witness the sense of pride they felt at having their stories heard.
Here’s a few pics……
Installation at Tate, Liverpool
Saul, with his picture at Tate, Liverpool - see his story below
Halima at Ropes and Twines (story below)
Ridah at Ropes and Twines (story below)
Saul, 16, Sunderland
"I’ve been in care since I was a year and a half years old. I’m now classed as a care leaver. Social services, say I’m actually the worst case they’ve ever brought into care. Ever.
I got put into numerous foster placements and then when I was about fourteen I got put in a care home. Everything started falling apart and then I moved to Wales and it got to the point where I tried to kill myself, in three weeks, one hundred and forty-seven times. I got put in hospital. They were sectioning me and all this… it got really far.
The hospital let me go and I was fine and I felt ‘I want to get a piercing’. I already had my ears done. That was the start of it. I went to a piercing studio and I got my bridge done and then suddenly I didn’t feel as I was wanting to hurt myself anymore. And I was, like, ‘I don’t understand’. Next time I felt like it I went and got my lip done and that was the new way for me to self harm and for it to not look as bad as it should.
It was only because of the problems and issues I had that I started getting piercings and that.
Self harmer’s will say to you that the reason they cut themselves is because they feel they’re not there, they don’t exist and they cut themselves to feel the pain so they know they’re real. It was only because of the problems and issues I had that I started getting piercings and that. When I need to self harm, I don’t self harm I go and get a piercing."
Halima, 16, Nelson, Lancashire
“I want to be happy and I feel like the one way you can win in life is just to be happy and right now I’m happy with things and even though I get emotional or I get negative thoughts I just think ‘be grateful for where you are. Just be grateful’ ”
Ridah, 16, Brierfield, Lancashire
“You look at me and I’m brown obviously cause my skin colour’s brown so you probably think I’m a Muslim but I don’t really… I know I shouldn’t be saying this but….I’m not really Islamic. Most Muslims wear scarf, like it’s the way they’re portrayed isn’t it, like you should wear scarf, do this, do that, can’t go out. You’re not allowed to do this. Men. Women. It’s all biased. I don’t like it. At all.
Stereotypical, that’s what it is. Stereotypical.”
When work and personal projects collide.....
On the back of my long term exploration and celebration of the heritage, tradition and contemporary role of women in the fishing industry, I was commissioned by WWF to shoot new work for their important new sustainable fishing campaign.
Here’s a poster.....
‘Fisherwomen’ has just finished it’s run at Montrose Museum and Art Gallery - some lovely feedback in the visitors book....
Next stop Hull Maritime Museum - with new work from England - opens August 25th
Last year I made a little series of pictures called ‘Paint the Town Red’ - portraits of Liverpool fans with their houses decorated for the Champions League final.
The Guardian wanted to run them, but timing just didn’t work out.
“No problem”, I said, “we can just do it next year”
I was only half joking.
Good as their word, the Wednesday after the amazing 4-0 comeback against Barcelona in the semi final they said they would like to run them this year and could I shoot some more.
Of course after the second extraordinary semi final, I called them first thing on the Thursday morning: “you’re going to want me to do Spurs too aren’t you?”, I said.
So, here it is….. Paint the Town Red, part 2 (or part nine actually, but I’ll need to be a bit careful in case my impartiality is questioned)
And paint your back room a little bit white and blue too……
Thanks to the super team at The Guardian who were inspired to make it a double cover for the very first time... ...although I much prefer one to the other :)
I was speaking to the photographer John Myers at the weekend at the Martin Parr Foundation in Bristol. John had been giving a talk about his wonderful large format black and white work in the 1970s (check out his fabulous new book 'The Portraits'). As part of his talk he handed out a sheet of paper with a list of his ‘photographic influences’. A list of great photographers past and present almost all of whom I was familiar with to a greater or lesser extent.
Then I saw this:
Later on, thinking I was being funny, I said to him, ‘I’ve never seen those six words in succession before:
'Yusuf Karsh Kevin Keegan Andre Kertesz’
He looked at me somewhat blankly and replied in a deadpan manner that KK was a photographer in Oldham in the early 70s. Now John, I had learned from his presentation, has a very dry sense of humour and it wasn’t at all clear whether he was pulling my leg. He had, after all mentioned football in his talk referring to Bradford City. But Keegan is from Scunthorpe I thought.
'Ask Martin', he said.
So I did….
Martin, of course, also responded with bemusement to my question ‘Who was Kevin Keegan?’ asking rhetorically and rather quizzically, ‘the footballer?’.
‘Was he a photographer in Oldham in the 1970s', I asked.
and then the recollection came back.
Mr Parr confirms that Kevin Keegan was indeed a photographer in Oldham and that he had a book somewhere…..
Suffice to say he is very difficult to Google.
Thank goodness for eBay.
….Next up John Toshack’s new topography of the Welsh valleys….
‘Sixteen’ as a project is borne out of a series of pictures I made with young people during the Scottish Independence Referendum. As a Scotsman living in England, I had no vote and so as a way of engaging with the debate I made a series of photographs of young people who would celebrate their sixteenth birthday on the day of the vote, 18th September 2014. They were the youngest people ever to vote in a UK election and I was encouraged by how engaged they were in the discussions and how seriously they took their responsibilities.
The project got me thinking about the decisions that sixteen year olds make and the opportunities available to them. It is usually the time when you are approaching final secondary school exams and deciding whether to continue in education to study for A-levels or higher qualifications or to leave school and start to make your own way in an uncertain world. At a time when my own daughter was sixteen, it felt like the first time that most people are presented with really important life decisions and I was interested in how different people from different walks of life approached those decisions. How culture, social background, location, gender, ethnicity, family etc all influence what young people think they can achieve in life and the paths they feel that they can take.
I started making more portraits of sixteen year olds in and around the north west of England and in this case asking them to write about themselves, their dreams, ambitions and fears both for their own futures and the future of the world more widely. At an age of personal transition and a time of great uncertainty in the economy, national and international affairs, environmental concerns etc., I was interested to explore the outlook of the next generation - the first social media generation - faced with a Brexit that none of them were old enough to vote for or against. In many cases theirs feels like a much more challenging future than the previous generations as technology and industry change the economy.
Shooting those first few pictures, I realised that I was interested in exploring the experiences and aspirations of sixteen year olds much more widely and so I invited a few friends and colleagues to discuss the idea of making it a group project. I am delighted to say that they all bought into the concept and over a pint of two in a north London pub everyone chipped in with great enthusiasm bringing in their own ideas and their own particular interests and proposals for different ways of working. I felt that as a group, we could really delve into the subject in some depth, exploring the experiences of young people far and wide – it was exciting, but it was going to need a lot of research, preparation, discussion etc to get it off the ground.
That’s were it all started and so before I talk a little bit about the areas I personally will working in, I just want to say a big thank you to all the photographers who have agreed to take part. It’s both a privilege and an honour to be working alongside great friends and colleagues whose work I admire.
In no particular order: Jillian Edelstein, Kalpesh Lathigra, Lottie Davies, Simon Roberts, Sophie Gerrard, Stuart Freedman, Kate Peters, Roy Mehta, Abbie Trayler-Smith, Antonio Olmos, Linda Brownlee, Christopher Nunn, Michelle Sank, Ronan McKenzie, Kate Kirkwood and Simon Wheatley.
So now I am excited that it is all coming together and really looking forward to seeing the work as it starts to take shape in 2018.
Since those initial informal meetings, it’s been a long road to get to this stage, and with the invaluable support of producer Liz Wewiora and creative director Anne Braybon, we are now seeing some real progress as each photographer starts to explore their own themes within the wider project.
Each of us is approaching the project in our own way finding different creative avenues to explore, but always in a collaborative fashion with the sixteen year olds we are choosing to work with. For my part I am concentrating on two themes, both close to my heart. I will be working in island communities around the UK, continuing in the same vein with which I started this project working on a large format film camera and asking each sitter to present their testimony in a hand written text alongside the photograph. I’m looking forward to working with schools and youth groups in some very interesting communities in the Western Isles, Orkney, Shetland, the Channel Islands and elsewhere.
The second strand of the project for me is looking at the post-industrial communities in the North of England and beyond. I’m interested to explore towns and cities that once relied on one main industry: mining, shipbuilding, textile weaving, steel and chemical manufacture etc, and learn how the experience of young people in those communities today may differ, for better or worse, from the experience of previous generations.
The project has received an initial research and development grant from Arts Council England, and we have been working with schools, youth groups, parents and others to get feedback on the project ideas and how we might involve the young people in the process. Each photographer has her or his own interests and each of us is working closely with Anne to find new ways to present the views of sixteen year olds in words and pictures. We are variously working in stills and video with spoken word audio, handwritten texts and social media messaging.
I look forward to sharing some of my own work and that of my colleagues in the coming months and building an online community exploring what it means to be sixteen in Britain today.
A project website/blog will be launched in the coming months where you can keep up to date with work-in-progress, written contributions by all the photographers and behind-the-scenes pictures etc. but rather than show any of that now, whilst we are just starting out... here's a pic of tow of those first images on show at The National Portrait Gallery in London until 4th Feb.
New Year, New News.... I'm thrilled to announce that I've teamed up with the lovely team at Greenhouse Reps as my sole representatives in the USA. Looking forward to a long and creative partnership.
tel: +1 212 704 4300
The 7th of July this year marks the 60th anniversary of the Woolton Church Summer Fete in Liverpool where a young John Lennon was introduced to an even younger Paul McCartney for the first time. That meeting has gone down in musical folklore leading to one of the most extraordinary writing partnerships that changed the face of modern music. Now, sixty years on, I’m interested in the relationship of the Beatles to this small part of south Liverpool - just a few streets. I am taken by the idea that tourists travel from all over the world to visit such ordinary suburban streets leading to the somewhat incongruous sight of international day trippers rubbing shoulders with locals in very un-touristy locations.
Often they have travelled from far and wide for a once in a lifetime visit to the UK: they take in Buckingham Palace, Stonehenge, Edinburgh Castle and a few run down streets of council housing in Liverpool!
Having grown up in Liverpool, I’m intrigued by the power the band still has to attract people from far and wide and how the locals just go about their business semi-oblivious to the daily invasion.
In Arnold Grove in particular, where George Harrison grew up, the house is still occupied by an elderly lady - every day hoards of tourists walk past children playing in the street, as George would have done, to have their picture taken outside her house and sometimes peer in through her windows. In Madryn Street, Ringo Starr’s home, all the houses are now boarded up and visitors come to write on the metal shutters and sometimes to dance!
The Magical Mystery Tour bus passes Madryn St. the childhood home of Ringo Starr
Magical Mystery Tour bus tourists (on the pavement) and National Trust visitors (in the garden) of 20, Forthlin Road, the childhood home of Paul McCartney.
Canadian Tourists at Forthlin Road.
Spanish tourists at 'Mendips', the childhood home of John Lennon.
A 'selfie' for the Magical Mystery Tour at the gates of Strawberry Fields.
"Behind the shelter in the middle of the roundabout", the Magical Mystery Tour passes the 'barber' and the 'bank' at the top of Penny Lane.
"In Penny Lane, there is a barber showing photographs"
A group of German tourists dancing outside the former home of Ringo Starr. Madryn Street in Dingle is one of 'The Welsh Streets', traditional Liverpool terraces, now all boarded up and awaiting a council decision on whether to demolish or refurbish.
A busload of tourists descend on the tiny cul-de-sac Arnold Grove where George Harrison lived as a young boy. The house and those surrounding it are still lived in and each day residents tolerate a stream of visitors from all around the world.
I'm delighted to announce that my photograph 'Arshia Ghorbani, 16, Toxteth, Liverpool' has won first prize in the inaugural FC Barcelona Photo Awards. The awards were set up to "celebrate the positive intrinsic values common to sport and culture and to communicate the importance and contribution of those values to current society." Arshia’s story is an example of the power of sport in society and a testament to the kind of community spirit that I experience all around the world and especially in Liverpool. It is that spirit of humanity, of welcoming and of togetherness that so enriches our society and must, in the end, prevail over those that spread hate and isolationism.
Arshia is an asylum seeker from Iran now living in Liverpool while he waits for his refugee status to be assessed. As a teenager he has many challenges to face to fit into a new community and new society, not least the challenge of learning a new language and continuing his education in a strange environment. The first thing he did when he came to Liverpool was play football as a way to make new friends and feel accepted. He plays for Kingsley United in Toxteth, known as Liverpool's 'most diverse' football team. He is sixteen years old and tells his story in his own words: he has written his testimony/caption in his native language: Farsi.
An English translation follows:
Hello My name is Arshia Ghorbani and I was born in 01.02.2000. That means that I am 16 years old now. I’m happy person normally but sometimes I can get angry as well. The only thing that I do cheerfully and lovingly is football. I started playing football with an adult team since I was 8 years old which made me good progress in football. I have a lot of plans and dreams, too many!! I like go to school and learning. I really enjoyed of my school and it’s lovely staff and never want to leave the school. I know that all people can’t reach they dreams. It is difficult and hard work to access my dreams. To be a surgeon doctor is one of my main aims. I am good at learning and understanding in school. My first language is one of my main barriers between me and my dreams. It is now just 3 years that I am living in UK, but even now I can’t understand some of the written words; on the other hand I can speak English very well. One of my other problems is that we can’t go on holiday, we are not allowed to travel, we can’t buy a car even if we had the money, as my Dad is not allowed to get a licence, and we don’t have permission for work. That all means we can’t make any decision for our future because we are asylum seekers. That all makes a teenage boy like me to be in desperation and stressful which is not good at my age. Unfortunately I can’t go to university because I am asylum seeker. I know it’s not the UK government fault, but if we think I had potential to be a doctor in future and I could save hundreds of humans lives. I like to help people and made smile on their face who poor and need help. That is the thing other people do for me when I was in need. Anyway I keep going on with the hope and the stress. I don’t let any problem keep me away from my dreams. I can’t and don’t want to make blame on my family or anyone for the situation I have. You must know that nothing is reached easily in the life and you must try hard. If it was easy everyone would be happy and joyful.
This photograph is part of my early work on a group project I am leading with fifteen other photographers all around the UK. The project 'Sixteen' looks at the experience, ambitions, dreams, hopes and fears of sixteen year olds from all walks of life all around the country.
A large format C-type print measuring 150cm x 94cm will be unveiled at the awards ceremony and exhibition to be held in Barcelona in June.
Series of four new ads created for Wagamama just before Christmas with a great team from JWT London.Never been so well fed on a shoot!!
Delighted and honoured to win the Portfolio award for 'Natural World' in the Travel Photographer of the Year last week. The portfolio of four pictures is taken from my ongoing personal project 'The Lake' - you can see a wider selection from the project on the website: craigeaston.com > travel and landscape series > The Lake.
What the judges said: "Craig's images caught the eye of the judges in the earlier online rounds of the judging but it was only when they saw the sumptuous tones and detail in the prints that their true beauty and quality was fully appreciated."
The prints will be exhibited as part of the TPOTY exhibitions to be held in 2017:
Hull, City of Culture, 18th May - 30th June
Greenwich, London, 4th August - 3rd September
Amidst all the turmoil surrounding the EU referendum here in the UK last week, I was fortunate to spend a few days up in Scotland continuing my series of large format landscapes. This time The Upper Tay Valley in and around Crianlarich....
With 04.30 sunrise and sunset at 22.30, they were long days. Thanks to the good folk at the Crianlarich Hotel who looked after me with my odd time keeping!
A pint of the Colonsay Brewery IPA was a welcome treat at the end of the day...
Delighted to see this beautiful layout of my photograph of the Flatiron Building on the cover of this months BA High Life magazine. Thanks to Craig Baxter for the design.
Delighted to receive the news this morning that my picture 'Mr & Mrs McDonald, Scotland' has been selected at the International Color Awards in Los Angeles. Shot on a 1952 Deardorff in June last year as part of an ongoing series entitled '900 Miles'.
It was with great sadness that I heard the announcement recently that The Independent was to cease it's print edition from March 26th this year after setting the agenda and setting the bar in British journalism for 30 years. I began my career at 'The Indy' back in 1990 and it was there alongside the best newspaper photographers of the day that I learned my trade. Great photographers like Brian Harris (book coming soon, about which I will blog I'm sure), John Voos, Glynn Griffiths, Tom Pilston, David Rose all on the staff back then (remember when newspapers had staff photographers?) and sports guys David Ashdown and Peter Jay. Alongside them was a great bunch of regular freelancers: Nick Turpin, Ed Sykes, Peter Macdiarmid, Laurie Lewis, Geraint Lewis, Herbie Knott, Steve Morgan, Robert Hallam, and then later Ed Webb, Kalpesh Lathigra, Kayte Brimacombe, Andrew Buurman etc. More followed after I left too.
I will be forever grateful for what I learned from each and all of them and proud to call many of them friends to this day.
Picture editors and darkroom staff too: Chris McCane, Keith Dobney, David Swanborough, Mike Spillard, Victoria Lukens, Susan Glenn, Karen Wylie, Colin Jacobson, John Luff, Sophie Batterbury, Simon Van Covoerden, Tony Buckingham etc.
Apologies to anyone I've missed off.
Here's a few pictures from back in the day.....
The death of Francis Bacon, Colony Room, Soho, London
Ben Okri, author
Michael Heseltine, Conservative Party Conference, Blackpool
David Hockney, on the set of 'The Rakes Progress', Saddlers Wells, London
Miners Welfare Rally, London
Liberia, West Africa
War in the former Yugoslavia (Mrs Thatcher)
Nelson Mandela, London
Sealed Knot, Civil War reenactment, Newbury
La Defense, Paris
Ted Heath, Westminster, London
Armistice Day, Ypres, Belgium
Back from a fascinating trip to Myanmar in December. Amazing country, lovely people and a privilege to have the opportunity to work there. A longer blog post will follow with the commissioned pictures once they have been used by the client, but here's a little taster...
Just packaged up and sent a new series of five prints to a client in the US. All 30"x25" c-type prints, edition of 8. Giant Sequoia, Redwood National Park, California.